Paying Markets For Essays

Paying Markets For Essays-65
As promised two weeks ago, I’ve compiled what I am calling here a guide to journals and magazines that publish flash nonfiction/micro-essays.Before I present the list, I need to issue a few clarifications and caveats.Creative writing and mental illness have long had a close association. Please notify if your submission is placed elsewhere.

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First, this list by no means includes *every* journal or magazine that might publish your piece of flash nonfiction.

For the most part, I’ve omitted publications that specify only that submitted essays should run “no longer than” or “up to” 5,000 or 8,000 words.

It’s entirely possible that the editors of these publications will welcome something more along the lines of 500 or 800 words.

But unless I’ve discerned a *specific* editorial interest in shorter-form nonfiction–whether through my own research into guidelines and past issues or through sources listed at the end of the post–I haven’t included them here.

, a journal of safety and danger, seeks amazing new writing and art. Submissions are open September 1st through October 15th, 2019.

Paying Markets For Essays

Rooted in the Midwest, we encourage BIPOC, LGBTQIA , poor, neuroatypical, border-straddling, and other under-represented voices. Send submissions in the body of an email to: Cooper Dillon Books is a small poetry press committed to upholding the values that make poems timeless. ( a prestigious literary journal, invites submissions for its Spring 2020 issue.Send three to five poems as a single attachment, one poem per page; one story of no more than 7,000 words; or up to three pieces of flash fiction of no more than 500 words each; or one piece of nonfiction no more than 7,000 words.Please see our full submission guidelines for more details: https://To polish your fiction, note our editing service, too. For guidelines, visit or invites poets to send up to 5 unpublished poems and/or translations informed by the Catholic faith for its fourth annual print issue due in April 2020. an anthology that explores the current state of the natural environment through poetry. Simultaneous submissions and previously published works OK. The poems in this journal convey God’s presence in any number of ways—by exploring the intersection of matter and spirit, by depicting the struggle between belief and doubt, by questioning the faith, being surprised by it, taking joy in it, even finding humor in it. Mission statement and submission guidelines found on Submit or inquire to seeks poetry, short creative nonfiction (up to 1,000 words), comics, graphic stories, art and photography for Issue 14 and poetry manuscripts (18-32 pages) for the Split Rock Poetry Chapbook Series!We are excited to receive your submissions and will diligently work to bring you the best in full poetry collections, novellas, graphic novels, craft essays, short fiction, poetry, graphic narrative, photography, art, and interviews.We also offer our submitters a premium option to receive an acceptance or rejection letter within one week of submission; many authors are offered editorships and interviews.Submission fee of is shared with an area nonprofit that works to preserve the natural beauty of the region. Current edition available at Michigan independent bookstores, libraries, and online at seeks new and diverse voices in literature and media arts for upcoming Fall 2019 issue. We are looking for a broad range of your best polished work.We are currently accepting submissions for poetry, fiction, flash fiction, creative nonfiction, and visual art for our Fall 2019 issue.The theme is “Paradoxes.” As a secular journal, we are seeking essays, poems, scripts, and comics that capture the essence and ambivalence of the areligious community (i.e. We champion minority, marginalised, and underrepresented voices, and publish works in translation.agnostics, atheists, humanists, apostates, etc.), their lives, loves, and experiences. Send us work that is eco-conscious and critical; that celebrates the beauty/bounty of nature; that is cognisant, curious, and contemplative of the relationships between humanity, modernity, cultures, and environments we live in or imagine ourselves to inhabit.


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