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Keats also uses visual diction to create imagery in words like seeks, look, watchest, and seen.These are less concrete than tactile imagery and continue the progression towards the end.Some soft sounding words words that use consonant sounds that are soft when spoken such as an s -- include mists, close, son, bless, mossed, and trees.
This gives a feeling of laziness and goes right with the sounds before because they also slow down the feeling and show how death is beginning to approach.Keats writes, "And full-grown lambs loud bleat from hilly-bourn.The whole line stands out very radically because it is almost all loud sounds, especially bleat, with its b and t along with the voiced long e vowel.All of this gives a feeling of youth and aliveness and goes with the theme because it starts the poem out showing how life is before if begins to slow down into the progression of death. At the start, the Sun and Autumn are called friends and they are talking and conspiring, such as young children would do.Also, many of the words are very tactile, such as swell, plump, budding, and bend.Close and bosom go together, with close being loud and soft with the hard c and soft s, and bosom being loud and soft with the b and s.The words maturing sun are not placed together haphazardly either. to load (loud due to the p and d sounds) and bless (soft due to the double s sound). This gives the whole stanza a generally loud, lively sound with a quiet hiss in the background.This change from stanza one also goes along with the progression of life.It started out loud and young, and now has begun to soften, such as life does when one grows older or nears death.In doing so, he seems to be saying that there is still hope and life even as death is approaching.This line seems to be the transitional one because, after it, the sound goes back to the pattern of stanza one, supporting the cry of life in the previous line.