After Butler, Jonathan Swift is the most notable practitioner of the Hudibrastic, as he used that form for almost all of his poetry.
Poet Laureate John Dryden is responsible for some of the dominance among satirical genres of the mock-heroic in the later Restoration era.
The Hudibrastic is poetry in closed rhyming couplets in iambic tetrameter, where the rhymes are often feminine rhymes or unexpected conjunctions.
For example, Butler describes the English Civil War as a time which "Made men fight like mad or drunk/ For dame religion as for punk/ Whose honesty all durst swear for/ Tho' not one knew why or wherefore" ("punk" meaning a prostitute).
While in Romanesco Giovanni Camillo Peresio wrote Il maggio romanesco (1688), Giuseppe Berneri published Meo Patacca in 1695, and, finally, Benedetto Micheli printed La libbertà romana acquistata e defesa in 1765.
After the translation of Don Quixote, by Miguel de Cervantes, English authors began to imitate the inflated language of Romance poetry and narrative to describe misguided or common characters.However, the best known of the form is La secchia rapita (The rape of the Bucket) by Alessandro Tassoni (1622).Other Italian mock-heroic poems were La Gigantea by Girolamo Amelonghi (1566), the Viaggio di Colonia (Travel to Cologne) by Antonio Abbondanti (1625), L'asino (The donkey) by Carlo de' Dottori (1652), La Troja rapita by Loreto Vittori (1662), Il malmantile racquistato by Lorenzo Lippi (1688), La presa di San Miniato by Ippolito Neri (1764). We apologize for any inconvenience, and thank you for your visiting.Mock-heroic, mock-epic or heroi-comic works are typically satires or parodies that mock common Classical stereotypes of heroes and heroic literature.Typically, mock-heroic works either put a fool in the role of the hero or exaggerate the heroic qualities to such a point that they become absurd.Historically, the mock-heroic style was popular in 17th-century Italy, and in the post-Restoration and Augustan periods in Great Britain.In this context was created the parody of epic genre.Lo scherno degli dèi (The Mockery of Gods) by Francesco Bracciolini, printed in 1618 is often regarded as the first Italian poema eroicomico.The parody is not formal, but merely contextual and ironic.(For an excellent overview of the history of the mock-heroic in the 17th and 18th centuries see "the English Mock-Heroic poem of the 18th Century" by Grazyna Bystydzienska, published by Polish Scientific Publishers, 1982.) After Dryden, the form continued to flourish, and there are countless minor mock-heroic poems from 1680 to 1780.