This tragic flaw makes him a tragic hero, a character who is destroyed because of a major weakness, as his death at the end could possibly have been avoided were it not for his tragic flaw.
Hamlet's flaw of irresolution, the uncertainty on how to act or proceed, is shown when Hamlet sees a play and the passion the actors had, after Hamlet's third soliloquy, in Hamlet's fourth soliloquy, and in Hamlet's indecisive pursuit in avenging his father's death.
First, Hamlet's flaw of irresolution is shown when he sees a play and the passion one particular actor had.
A group of players has arrived and Hamlet arranges a personal viewing of The Murder of Gonzago with a small portion of his own lines inserted.
Hamlet then observes one portion of the play in which one of the players put on a great display of emotion.
Hamlet'S Fourth Soliloquy Essay Ethics Research Paper
Hamlet, besieged by guilt and self-contempt, remarks in his second soliloquy of Hamlet of the emotion this player showed despite the fact that the player had nothing to be emotional about.
Actions of great urgency and importance get thrown off course because of this sort of thinking, and they cease to be actions at all. [To OPHELIA] Beauty, may you forgive all my sins in your prayers.
In the soliloquy there is more than just the famous line “to be or not to be.” You may have heard these Shakespearean quotes as well. Here’s a brief explanation of the meaning and themes, drawn from Lit Charts’s comprehensive literary guide to Hamlet.
Reflecting on his own guilt, he talks of death, referring to it as the undiscovered country, and then continues by riddling his own feelings.
He declares "conscience does make cowards of us all" and that the natural ruddy complexion of one intent, or resolute, on an action is "sicklied" over with the "pale cast of thought".