Essays in this volume examine the intellectual and cultural history of sixteenth-century Rome and Florence that have made it possible to set Raphael in the context of his patrons and his other contemporaries.
Essays in this volume examine the intellectual and cultural history of sixteenth-century Rome and Florence that have made it possible to set Raphael in the context of his patrons and his other contemporaries.They demonstrate Raphael's considerable skills as the manager of the largest workshop of his day, one that provided a model for many artists who followed him."--Jacket"Five centuries ago a stunningly beautiful young man, heir to a banking fortune, sat for a portrait by Raphael.Tags: Frederick Douglass Research PaperAmeren Accounting AssignmentCreating A New Business PlanDid Allies Win World War 2 EssaysProblem Solving Process ModelThesis For Mba HrMaster Thesis In DenmarkNorthwestern Essay Questions 2013Should Animals Be Used For Research Thesis StatementWhat Is The Cover Letter For Resume
Author, Illustrator, Inventor, Artist, Other, Bibliographic antecedent, Honoree, Draftsman, 900, Dedicatee, Creator, Editor, Author of introduction, Composer, Conductor, Bookplate designer, Collector, Assignee, Conceptor, Architect, Performer"Within little more than a decade Raffaello di Giovanni Santi (1483-1520) transformed himself from a master of provincial church decoration to one of the greatest painters who ever lived.
This illustrated catalogue tells the story of his artistic journey from Urbino, where he was born, to the papal court in Rome, via the Central Italian cities of Citta di Castello, Perugia, Siena and Florence." "This book follows this dramatic evolution from his origins in Urbino and the early influences of his father, Giovanni Santi, and the famous Umbrian master Pietro Perugino.
This gloriously illustrated book tells the story of the portrait's creation and of its unexpected trajectory through history." "Focusing on viewers' responses to Bindo Altoviti, the book describes the transformation of the picture from a family treasure into a supposed self-portrait of the artist; its public display in Munich, where it was first celebrated, then dismissed by sceptics claiming that it was neither of nor by Raphael; and its acquisition by canny English dealers who lured the panel out of Nazi Germany.
Purchased as a Raphael by American collector Samuel H.
This book looks at the research carried out on them using modern technology Alongside Michelangelo, Raphael Santi is considered one of the two great geniuses of Italian Renaissance art.
Like his famous rival, Raphael left numerous statements about himself, which, together with other contemporary sources, provide us with a clear image of his personality and viewpoints.
Because of the artist's renown, his works have continuously been subject to care, conservation, and restoration.
In this book, Catherine Hoeniger focuses on the legacy of Raphael's art ...
It’s currently on view in San Francisco at the Legion of Honor after a run at the Cincinnati Art Museum.
In conjunction with the exhibition, a catalogue, out this winter from D Giles Limited, explores the curious history of the portrait, and considers the identity of its enigmatic figure.