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During one of the memories, he recalls an encounter with his long-lost older brother, Ben.
Act One ends with the brothers cheering up their father by promising to meet with a "big shot" businessman, Bill Oliver.
They plan to pitch a marketing idea -- a concept that fills Willy with hope for the future.
Somewhat gently (or, depending on the actor's interpretation, perhaps disrespectfully), Howard fires him: Howard: I don't want you to represent us. Willy: Howard -Howard: And when you feel better, come back, and we'll see if we can work something out.
I've been meaning to tell you for a long time now. Willy tells his troubles to his neighbor and friendly rival, Charley.
This contradiction provides a glimmer of hope for the desperately deceived and instills a longing to break free. Throughout his novel "Death of a Salesman," Miller uses literary devices to convey the relationships between Willy and the members of his family. Miller and Mamet's Failure of the American Dream Arthur Miller and David Mamet are playwrights who are familiar with the struggle to achieve the American Dream.
Although Biff initially sacrifices his individuality to fulfill the predetermined destiny put into place by his father, he later realizes that he doesn't quite fit into the mold and thus begins his transformation into his own person. In "Death of a Salesman", Arthur Miller used the salesman Willy Loman as a symbol for the failure of the American dream. The overlying theme in Arthur Miller's "Death of a Salesman- is about the "American Dream-, which means success, and what it takes to achieve it.
(And he's been considering killing himself just so Biff could do something great with the insurance money.) At home, Biff and Willy shout, shove, and argue.
Finally, Biff bursts into tears and kisses his father.
Out of sympathy, he offers Willy a job, but the salesman turns Charley down.
Despite this, he still "borrows" money from Charley -- and has been doing so for quite some time.