Antonin Artaud Theatre Of Cruelty Essay

Antonin Artaud Theatre Of Cruelty Essay-9
Founder of the Theatre of Cruelty and a strong influence on Peter Brook, Antonin Artaud dedicated his life and sanity to purging the contemporary French theatre of its bourgeois tendencies.

To learn more or modify/prevent the use of cookies, see our Cookie Policy and Privacy Policy.Unfortunately, our website is currently unavailable in most European countries.We are engaged on the issue and committed to looking at options that support our full range of digital offerings to the EU market.Artaud writes like a poet, although he picks at the meaning of meaning like a scientist splitting airs.He felt that current theatre was in decline because it had lost any feeling for seriousness and on the other hand, for laughter.We continue to identify technical compliance solutions that will provide all readers with our award-winning journalism.In life, Antonin Artaud, the French actor, director, poet, playwright and visionary, was a terrible failure.High-strung and plagued by severe migraines, Artaud was discharged from the army after only nine months because of mental instability.He arrived in Paris in 1920 and decided to try to make a living as an actor.It had “broken away from solemnity, from direct, harmful effectiveness - in a word, from Danger.”Underlying his dissatisfaction and iconoclastic attitude was a romantic belief in “the profoundly anarchic spirit at the basis of all poetry.” For all his desire to do away with stilted old speech-driven and subjective drama, he yearned after a new kind of grandiosity. It’s all about spectacle, in the end taking us out of ourselves.In No More Masterpieces, Artaud looks back at the sources of the Old Grandiosity, to Shakespeare and his ‘followers’.


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